Cāny Award: Babette’s Feast

“Babette landed among the graceless ones. Followers of Luther, they heard sermons on grace nearly every Sunday and the rest of the week tried to earn God’s favor with their pieties and renunciations. Grace came to them in the form of a feast, Babette’s Feast, a meal of a lifetime lavished on those who had in no way earned it, who barely possessed the faculties to receive it. Grace came to Norre Vosburg as it always comes: free of charge, no strings attached, on the house. “

– Philip Yancey

As part of our continuing Cāny series, the second film that we absolutely had to choose is Babette’s Feast, a Danish film that won the Oscar for Best Foreign Film in 1987. Not only is the film a critically acclaimed masterpiece, but the story is an extraordinary parable of “grace”, the single most important word in all of Christianity. Adapted from a short story by Isak Dinesen, Babette’s Feast tells the story of two minister’s daughters who give up love and fame to remain in service to their tiny Lutheran church in a remote village in Denmark. They eventually take in a refugee from Paris and discover a secret from her past that ultimately transforms the small church.

Without giving away the surprises in the story, I will say that I cannot think of a more remarkable picture of the gospel, contrasting the church’s age-old bent towards legalism with Christ’s free, undeserving, unappreciated, and bountiful gift of grace. In the end, Babette’s Feast provides unique insight into the true nature of the Incarnation.

I have heard many sermons on grace over the years. None have had the impact on me as this underrated, obscure Danish film.

The Inaugural Cāny Award: The Shawshank Redemption

“Remember Red, hope is a good thing, maybe the best of things, and no good thing ever dies.”

- Andy Dufresne

When it came to selecting the initial work of art worthy of a Cāny award, there was no question where we had to begin: The Shawshank Redemption. This movie with the obscure, confusing name was largely overlooked when it was initially released in the theaters in 1994, but as people discovered it on DVD in subsequent years, it has emerged as an unqualified masterpiece. In fact,  for several years now, it has topped the Top 100 Films chart at IMDB.com, edging out other classics, such as The Godfather and Casablanca. I am convinced that the principle reason why Shawshank remains a beloved film for so many is because of the way God’s hope and redemption are revealed in the film. (Think I am exagerating? Check out “Hope Springs Eternal” article from UK newspaper The Guardian.)

The Shawshank Redemption tells the story of Andy Dufresne, a 30-year-old banker who is sentenced to life in prison after being wrongfully convicted of committing a double murder. Given that the “prison movie” spends much of its time on Andy’s life inside a drab and colorless home of cement and granite, one might think the film would be a downer. Yet when you watch the credits roll at the film’s end, the dreariness of the prison is the last thing on your mind. Instead, the overarching theme of The Shawshank Redemption is one of hope and redemption.

Writing to his friend, Andy says, “Remember, Red, hope is a good thing, maybe the best of things, and no good thing ever dies.” Doesn’t that sound exactly like something that Jesus would tell his disciples? Or Paul as an encouragement to Timothy? The pages of the New Testament cry out with this same message— that a steadfast hope in Jesus Christ will be worth it in the end, regardless of how difficult things are in the short run.

Move over Emmys, Grammys, and Tonys…We’ve got the Cānys

We at Cana believe God doesn’t just communicate to the world through the pages of a Bible or inside of the walls of a church. Instead, we see that God reveals himself in all aspects of the world around us — in both the sacred and secular.

Along this line, J.R.R. Tolkien maintained that readers should be able to extract meaning from an author’s work rather than the opposite — having the author force a particular idea or agenda onto the reader. While we would suggest there is certainly a place for an author to convey their faith or beliefs through their work, we rather like Tolkien’s principle of applicability. For, when we apply it to our modern world, we are free to extract meaning from all forms of art — both sacred and secular — and apply them to our lives as we seek Jesus Christ.

Unfortunately, not everyone sees how God can or would choose to reveal himself in the secular world and therefore would have no use in trying to integrate various facets of art into their faith journey. This jarring difference in perspective reminds us of something C. S. Lewis once said of a non-reader: “He may be full of goodness and good sense, but he inhabits a tiny world. In it, we should be suffocated.”

In the end, our hope at Cana is that we all avoid “suffocating in a tiny world” — that we can experience Jesus Christ as we watch a great film or listen to great music and invite God to use them as tools for shaping and molding us in our faith.

In that spirit, we are introducing the Cāny (pronounced kay-nee), an award that celebrates instances we’ve seen in which God has revealed himself through the arts. When we watch a film, listen to a great song, or read a great book and believe that there’s something truly exceptional about the way God is revealed, we will award it a Cāny.

In the near future, we will be adding a new section to Canawalk which has our running list of Cāny award winners. We hope that you’ll find the Cānys useful as you seek to walk, stumble, and tread onward towards Jesus Christ.

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